I forgot about the blog. So here I am. The beginning of this module was all the things- exciting, playful, feared, confusing, settling, peaceful, stressful, overwhelming, and ordinary. The first few weeks were me just settling back into routine. Working as dancer and instructor, for me, means that my life runs in these little blips. Sept-Dec is choreography, resetting in studios, and signing new performance contracts. So adding in the inquiry has been a juggling act. I began research last week and I have LOVED it. I have really loved the human element of qualitative research. My inquiry is centered around language, and so I have observed classes/rehearsals and then interviewed the leader of the room and the dancers of the room. I am interested in looking at this collection of data in three ways: 1. Leader to Leader. In the various spaces, are those who are leading the room all feelings, speaking, and understanding similar things? 2. Student/Dancer to Student/Dancer. Within the spaces
Feedback: the transmission of evaluative or corrective information about an action, event, or process to the original or controlling source (Merriam Webster, 2023). I am a feedback-forward person. I use dialogue and conversation to dissect feedback and to understand its fullest potential from the source. Within my various jobs feedback is something that I am continuously receiving. Although I give feedback to teachers and students daily, I am also receiving it from those in superior positions (my boss', choreographers, and directors) and those I work with (students, colleagues, reviewers, and audiences). Adding school back into my life adds another layer of feedback and one I am still trying to navigate. The feedback I receive as a dancer is not a suggestion, it is based on implementation and immediate change. Within my teaching and leading roles feedback is more conversational and subjective but often is something that needs to be acted on with the changes proposed. I rarely re